Fashion Women Ladies Sleeveless Solid Above Knee Dress Loose Party Dress

Garment consisting of a bodice and skirt made in one or more pieces

Diverse examples of dresses

A wearing apparel (also known as a frock or a gown) is a garment traditionally worn past women or girls consisting of a brim with an attached bodice (or a matching bodice giving the upshot of a one-piece garment).^[1] It consists of a top piece that covers the body and hangs downwards over the legs. A dress can exist any one-piece garment containing a brim of any length, and tin can be formal or casual.

A dress tin accept sleeves, straps, or be held up with rubberband around the breast, leaving the shoulders bare. Dresses besides vary in color.

The hemlines of dresses vary depending on modesty, weather, fashion or the personal gustatory modality of the wearer.^[two]

Overview [edit]

Dresses are outer garments made up of a bodice and a skirt and tin exist made in one or more pieces.^[3] ^[four] Dresses are generally suitable for both formal wear and casual wear in the W for women and girls.^[4]

Historically, dresses could also include other items of wearable such every bit corsets, kirtles, partlets, petticoats, smocks, and stomachers.^[five] ^[6] ^[seven]

History [edit]

11th century [edit]

In the 11th century, women in Europe wore dresses that were similar to men's tunics and were loose, with a hemline reaching to below the knees or lower.^[8] By the terminate of the century, these dresses featured a tighter fit on the arms and women's upper bodies.^[8] Dresses were made snug by featuring slits on the sides of the dress that were pulled tight in order to fit a woman's figure.^[9]

16th century [edit]

Starting in the 1550s, middle- and upper-form women in Europe wore dresses which included a smock, stays, kirtle, gown, front, sleeves, ruff and a partlet.^[5] Undergarments were non worn underneath.^[v] In England, Queen Elizabeth dictated what kinds of dresses women were allowed to wear.^[10] French women were inspired past Spanish-fashion bodices and also wore ruffs.^[10] French dresses were known as marlottes.^[xi] In Italy, dresses were known as ropa and semarra. ^[11] Dresses in the 16th century also displayed surface ornament such as embroidery, with blackwork being especially popular.^[12]

Women's dresses in Russia during both the 16th and 17th centuries identified a woman'due south place in society or their family.^[13]

17th century [edit]

Holland, every bit a center of textile product, was a especially noted expanse of innovation in wearing apparel way during the 17th Century.^[vii] In Spain and Portugal, women wore stomachers ^[vii] while in England and France, dresses became more "naturally" shaped.^[seven] Lace and slashing were pop decorations.^[7] Skirts were full, with regular folds and the overskirt allowed the display of an underskirt of contrasting cloth.^[7] Necklines became lower too.^[7] Embroidery that reflected scientific discoveries, such as newly discovered animals and plants were popular.^[14] In the British Colonies, multi-piece dresses were also popular, though less luxurious.^[15] Wealthy women living in the Spanish or Dutch colonies in the Americas copied the fashions that were popular from their homelands.^[xvi]

The 3-slice apparel, which had a bodice, petticoat and gown, was popular until the last 25 years of the century, in which the mantua, or a jumpsuit gown, became more pop.^[17] Corsets became more than important in dresses by the 1680s.^[xviii]

Working women, and women in slavery in the Americas, used unproblematic patterns to create shifts, wool or linen petticoats and gowns and cotton dresses.^[19] The bottoms of the skirts could exist tucked into the waistband when a woman was about a cooking or heating fire.^[xix]

18th century [edit]

Illustration of 18th century French women

Large, triangular silhouettes were favored during the 18th century, skirts were wide and supported past hoop underskirts.^[xx] ^[21] One-piece gowns remained popular until the middle of the century.^[22] During the 1760s in France, hoop petticoats were reduced in size.^[23] Lighter colors and lighter fabrics were also favored.^[24] In Colonial America, women most often wore a gown and petticoat, in which the skirt of the gown opened to reveal the petticoat underneath.^[25] Women too had riding habits which consisted of the petticoat, jacket and a waistcoat.^[25]

French way regarding dresses became very fast-changing during the later part of the 18th century.^[26] Throughout this period, the length of fashionable dresses varied but slightly, between ankle-length and floor-sweeping.^[2] Betwixt 1740 and 1770, the robe à la française was very popular with upper-form women.^[27] In France, the Empire way became pop after the French Revolution.^[28] This more simple style was as well favored by Josephine Bonaparte,^[28] wife of Napoleon. Other popular styles during the revolution included tunic dresses and the negligée à la patriot, which featured the ruby, white and blue colors of the flag.^[29]

19th century [edit]

Women's dresses in the 19th century began to be classified by the time of twenty-four hours or purpose of the wearing apparel.^[thirty] High-waisted dresses were popular until around 1830.^[30]

Early on nineteenth century dresses in Russia were influenced by Classicism and were made of thin fabrics, with some semi-transparent.^[31] Elizabeth Vigée Le Brun wore these types of dresses with a short skirt (reaching to her ankles) when she lived in Russian federation between 1785 and 1801^[31] and many Russian women copied her style.^[31] Past the 1840s, Russian women were turning to what was in fashion in Europe.^[32]

Europeans styles in dresses increased dramatically to the hoopskirt and crinoline-supported styles of the 1860s,^[33] then fullness was draped and fatigued to the dorsum.^[34] Dresses had a "day" bodice with a high neckline and long sleeves, and an "evening" bodice with a low neckline (decollete) and very short sleeves. In Russian federation, metallic hoopskirts were known as "malakhovs."^[32] Skirts of the 1860s were heavily busy.^[34]

To sleep, women in the American Due west wore floor-length dresses of white cotton wool with high collars displaying decoration.^[35] Diverse Native American people, such every bit the Navajo and the Mescalero Apache began to arrange the designs of their dresses to wait more like the European Americans they came in contact with.^[36] Navajo women further adapted the European designs, incorporating their own sense of beauty, "creating hózhó." ^[37]

Paper sewing patterns for women to stitch their own dresses started to be readily available in the 1860s, when the Butterick Publishing Company began to promote them.^[38] These patterns were graded by size, which was a new innovation.^[39]

The Victorian era's dresses were tight-fitting and busy with pleats, rouching and frills.^[28] Women in the United states of america who were involved in dress reform in the 1850s institute themselves the centre of attention, both positive and negative.^[twoscore] By 1881, the Rational Wearing apparel Society had formed in reaction to the restrictive apparel of the era.^[28]

20th century [edit]

In the early twentieth century, the look popularized by the Gibson Girl was fashionable.^[41] The upper part of women's dresses in the Edwardian era included a "pigeon breast" expect that gave way to a corseted waist and an s-shaped silhouette.^[41] Women called their dresses "waists" if jumpsuit, or "shirtwaists," if it consisted of a brim and a blouse.^[42] The bodice of the dresses had a boned lining.^[42] Informally, wealthy women wore tea gowns at domicile.^[43] These garments were looser, though not equally loose as a "wrapper," and made of expensive fabric and laces.^[43]

By 1910, the Edwardian look was replaced with a straighter silhouette.^[44] French designer, Paul Poiret, had a huge impact on the look of the fourth dimension.^[44] Designs developed by Poiret were available in both boutiques and also in department stores.^[45] Popular dresses of the time were one-piece and included lingerie dresses which could be layered.^[46] At around the same time, in the U.s.a., the American Ladies Tailors' Association developed a dress chosen the suffragette suit, which was practical for women to work and move around in.^[47] ^[48] Another innovation of the 1910s was the set up availability of factory-made clothing.^[49]

Waistlines started out high and by 1915 were below the natural waist.^[46] Past 1920, waistlines were at hip-level.^[46] Betwixt 1910 and 1920 necklines were lower and dresses could exist short-sleeved or sleeveless.^[50] Women who worked during Globe War I preferred shorter dresses, which somewhen became the ascendant style overall.^[24] In addition to the shorter dresses, waistlines were looser and the dominant colors were black, white and grayness.^[51]

By 1920, the "new woman" was a trend that saw lighter fabrics and dresses that were easier to put on.^[52] Younger women were likewise setting the trends that older women started to follow.^[52] The dresses of the 1920s could be pulled over the head, were brusk and direct.^[53] It was acceptable to wear sleeveless dresses during the day.^[53] Flapper dresses were popular until end of the decade.^[54]

During World War Ii, dresses were slimmer and inspired by military uniforms.^[28] Later WWII, the New Look, promoted by Christian Dior was very influential on mode and the expect of women's dresses for about a decade.^[55]

Since the 1970s, no ane dress type or length has dominated manner for long, with short and talocrural joint-length styles often appearing side by side in fashion magazines and catalogs.^[56]

Apply [edit]

In most varieties of formal dress codes in Western cultures, a dress of an appropriate manner is mandatory for women. They are also very pop for special occasions such as proms or weddings.^[57] For such occasions they, together with blouse and skirt, remain the de facto standard attire for many girls and women.

Formal dress [edit]

Formal dress is the Western dress code category applicable for the special type of events like a holiday funeral or even a wedding,There are also different types of formal dress an example is a cocktail clothes or a gown. A cocktail clothes is a remainder between formal and casual and elegant and comfortable. To an effect with this apparel lawmaking, such as a wedding, a gown Is a long dress, typically having a close-fitting bodice and a flared or flowing skirt, worn on formal occasions.

Basic dress [edit]

A basic wearing apparel is a commonly dark-colored dress of simple design which can be worn with diverse accessories to arrange dissimilar occasions.^[58] Different kinds of jewelry, belts, scarves, and jackets can exist worn with the basic dress to clothes up or down.^[59] A little black wearing apparel is an example of a bones dress.

Bodycon dress [edit]

A bodycon dress is a tight effigy-hugging wearing apparel, often fabricated from stretchy material.^[60] The proper name derives from "body confidence"^[61] or, originally, "trunk witting", transformed into Japanese in the 1980s equally "bodikon".

Party dress [edit]

A political party dress is a clothes worn especially for a party. Different types of party such as children's party, cocktail party, garden political party and costume political party would tend to require different styles of dress.^[63] ^[64] One classic fashion of party clothes for women in modern society is the trivial black clothes.^[65]

Types of dresses [edit]

Time period [edit]

16th century apparel.
Calico wearing apparel, circa 1656-1693
Belatedly 17th century, wool and metallic thread.
Russian dress, 1717
Dress circa 1750–1800, wool and chintz.
Apparel circa 1770–1800, chintz and printed cotton
Archetype empire line gown, muslin with tambour, circa 1805
Dress and outfit, circa 1855
Late 19th century
Rayon with seed beads, circa 1925
Dance dress, 1939
Mean solar day dress, circa 1940s
Blue satin cocktail dress, 1959
Printed dress, circa 1960
Bailiwick of jersey dress, circa 1970

Lengths [edit]

Gown or Long Dress - a woman's formal dress, commonly having a floor-length skirt.^[66]
Maxi dresses (c.1970) - maxi is a term used since the belatedly 1960s^[67] for talocrural joint-length, typically breezy dresses.^[66]
Midi dress - a "midi" is used to refer to any apparel or skirt that has a hem which hits at mid-calf – halfway between the knee and ankle.^[66]
Knee joint length dress- Hemline ends at genu height.^[66]
Mini clothes (1960s) - a very short dress that terminates to a higher place the knee.^[66] ^[68]
Micro dress (right) with minidresses, 2008.- A microdress is an extremely short version of a mini.^[69]

Come across besides [edit]

History of Western mode
People's republic of china poblana
Granny dress
Jumper dress
Lingerie wearing apparel
List of dresses
Mantua
Sack-dorsum gown (likewise known every bit robe à la française)
Squaw dress

References [edit]

Citations [edit]

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^ ^a ^b Davis, Michael (2007). Art of apparel designing (1st ed.). Delhi: Global Media. ISBN978-81-904575-seven-6.
^ "The definition of dress". Dictionary.com . Retrieved 29 January 2018.
^ ^a ^b Picken 1957, p. 101.
^ ^a ^b ^c Edwards 2017, p. xx.
^ Cunningham 2003, p. 20.
^ ^a ^b ^c ^d ^e ^f ^yard Edwards 2017, p. 30.
^ ^a ^b Newman 2001, p. 113.
^ Newman 2001, p. 114.
^ ^a ^b Edwards 2017, p. 21.
^ ^a ^b Bigelow 1970, p. 110.
^ Edwards 2017, p. 23.
^ Pushkareva 1997, p. 120.
^ Edwards 2017, p. 34.
^ Staples & Shaw 2013, p. 222.
^ Havelin 2012, p. 27.
^ Edwards 2017, p. 35.
^ Bigelow 1970, p. 126.
^ ^a ^b Havelin 2012, p. 26.
^ Bigelow 1970, p. 135.
^ Bigelow 1970, p. 137.
^ Edwards 2017, p. 49.
^ Pietsch 2013, p. 400.
^ ^a ^b "Costume". Funk & Wagnalls New World Encyclopedia . 2017 – via EBSCOhost.
^ ^a ^b "A Colonial Lady's Clothing: A Glossary of Terms". Colonial Williamsburg . Retrieved 24 January 2018.
^ Pietsch 2013, p. 397-398.
^ Delpierre 1997, p. 15-16.
^ ^a ^b ^c ^d ^e "A Cursory History of Women'due south Fashion". Makers. 7 September 2016. Retrieved 24 Jan 2018.
^ Bigelow 1970, p. 157.
^ ^a ^b Bigelow 1970, p. 183.
^ ^a ^b ^c Pushkareva 1997, p. 242.
^ ^a ^b Pushkareva 1997, p. 244.
^ Krohn 2012, p. 36.
^ ^a ^b Bigelow 1970, p. 188.
^ Krohn 2012, p. 37.
^ Parezo & Jones 2009, p. 384.
^ Parezo & Jones 2009, p. 384-385.
^ Darnell 2000, p. 27.
^ "Butterick History". Butterick Patterns . Retrieved 24 January 2018.
^ Cullen-DuPont, Kathryn (2014). Encyclopedia of Women'southward History in America. Infobase Publishing. pp. 71–72. ISBN9781438110332.
^ ^a ^b Darnell 2000, p. 9.
^ ^a ^b Darnell 2000, p. eleven.
^ ^a ^b Darnell 2000, p. 13.
^ ^a ^b Darnell 2000, p. 49.
^ Darnell 2000, p. 50.
^ ^a ^b ^c Darnell 2000, p. 53.
^ Greenberg, Molly (1 March 2017). "100 Years of Feminist History Explained in ten Women's Work Suits". UNC . Retrieved 24 Jan 2018.
^ Khan, Sarah (16 Nov 2016). "The fascinating history and development of the female person pantsuit". Marie France Asia . Retrieved 24 January 2018.
^ Richards 2010, p. 100.
^ Darnell 2000, p. 57.
^ Richards 2010, p. 100-101.
^ ^a ^b Darnell 2000, p. 73.
^ ^a ^b Darnell 2000, p. 77.
^ Darnell 2000, p. 105.
^ Parezo & Jones 2009, p. 383.
^ "The History of Hemlines". Women'south History Network. one September 2013. Retrieved 24 Jan 2018.
^ Pundir, Nirupama (2007). Mode applied science: today and tomorrow. New Delhi: Mittal Publications. ISBN978-81-8324-203-v.
^ "Definition of "bones wearing apparel"". Retrieved 28 July 2013.
^ Janssen, Jo Ann; Ellis, Gwen (2003). Apparel Like a Million Bucks Without Spending It! . Fleming H. Revell Company. ISBN978-0800758325.
^ Martin, Tracy (2014). The Trivial Blackness Dress: How to wearing apparel perfectly for any occasion. Ryland Peters & Pocket-size. ISBN 9781782490210.
^ Narumi, Hiroshi. "Street Style and Its Pregnant in Postwar Japan" Way Theory: The Journal of Dress, Body & Civilization, Volume 14, Number 4, December 2010, pp. 415–438 (24). doi:10.2752/175174110X12792058833816.
^ "Apparel Paco Rabanne 1967", Out of London, Paris, New York 1965–1968, Five&A
^ Alexandra Blackness (2007), The Party Dress, ISBN978-1-902686-59-2
^ Nora Villa (1996), Children in Their Party Dress, ISBN978-0-89676-202-2
^ Amy Holman Edelman (1998), The little black dress, ISBN978-1-85410-604-9
^ ^a ^b ^c ^d ^e The Faddy Sewing Book . Vogue Patterns. 1975. p. 337.
^ Cumming, Valerie; Cunnington, C.W.; Cunnington, P.Eastward. (2010). The dictionary of fashion history (Rev., updated and supplemented [ed.]. ed.). Oxford: Berg. p. 130. ISBN9780857851437.
^ Delamore, Philip (29 March 2007). "Mini and Midi". The Wedding Apparel: A Visual Sourcebook of Over 200 of the Most Beautiful Gowns Ever Fabricated. Pavilion Books. p. 122. ISBN9781862057647.
^ Cumming, Valerie; Cunnington, C. West.; Cunnington, P. E. (September 2010). The Dictionary of Fashion History. Berg. ISBN9781847887382.

Sources [edit]

Bigelow, Marybelle S. (1970). Mode in History: Dress in the Western Globe . Minneapolis, Minnesota: Burgess Publishing Company. ISBN9780808702610. fashion in history bigelow.
Brockmamn, Helen L.: The Theory of Fashion Blueprint, Wiley, 1965.
Darnell, Paula Jean (2000). From Victorian to Vamp:Women's Wearable 1900-1929. Reno, NV: Fabric Fancies. ISBN9781887402156.
Cunningham, Patricia A. (2003). Reforming Women's Fashion, 1850-1920: Politics, Health and Art. Kent, Ohio: The Kent Country University Press. ISBN0873387422.
Delpierre, Madeleine (1997). Clothes in France in the Eighteenth Century. Translated by Caroline Beamish. New Haven: Yale University. ISBN9780300071283.
Edwards, Lydia (2017). How to Read a Dress: A Guide to Changing Fashion from the 16th to the 20th Century. London: Bloomsbury Academic. ISBN9781472533272.
Havelin, Kate (2012). Buckskin Dresses and Pumpkin Breeches: Colonial Fashions from the 1580s to 1760s . Minneapolis: Xx-First Century Books. p. 26. ISBN9780761358879. dresses.
Krohn, Katherine (2012). Calico Dresses and Buffalo Robes: American West Fashions from the 1840s to the 1890s. Minneapolis: Twenty-First Century Bookos. ISBN9780761380528.
Newman, Paul B. (2001). Daily Life in the Middle Ages. Jefferson, North Carolina: McFarland & Company, Inc. ISBN9780786408979.
Parezo, Nancy J.; Jones, Angelina R. (June 2009). "What's in a Proper noun?: The 1940s-1950s 'Squaw Dress'". American Indian Quarterly. 33 (3): 373–404. doi:10.1353/aiq.0.0058. S2CID 162233209.
Picken, Mary Brooks (1957). The Manner Dictionary: Fabric, Sewing, and Clothes as Expressed in the Linguistic communication of Way. New York: Funk & Wagnalls Company.
Pietsch, Johannes (September 2013). "On Dissimilar Types of Women's Dresses in France in the Louis 16 Period". Style Theory: The Journal of Dress, Trunk & Culture. 17 (4): 397–416. doi:x.2752/175174113X13673474643084. S2CID 191612745.
Pushkareva, Natalia (1997). Women in Russian History: From the Tenth to the Twentieth Century. Translated and edited by Eve Levin. Armonk, New York: M.Eastward. Sharpe. ISBN9780765632708.
Richards, Marlee (2010). America in the 1910s. Minneapolis: Xx-First Century Books. ISBN9780822534372.
Staples, Kathleen A.; Shaw, Madelyn (2013). Wearable Through American History: The British Colonial Era. Santa Barbara, California: Greenwood. ISBN9780313084607.
Stoykov, Lubomir (2016). Theoretical problems of way, Sofia: National Academy of Art. ISBN 978-954-9799-xi-8
Tozer, Jane, and Sarah Levitt: Fabric of Society: A Century of People and Their Clothes 1770–1870, Laura Ashley Ltd., 1983; ISBN 0-9508913-0-4

External links [edit]

Media related to Dresses at Wikimedia Commons